“Hopper’s Wife, a chamber opera with music by Stewart Wallace set to an obscenity-strewn text by Michael Korie, turned out to be the most unpleasant piece as I’ve heard since NYCO’s notorious fiasco The Dreyfus Affair, two decades ago.” (Dido and Aeneas, on the other hand, was mighty fine!) [Observer]
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A hole in the Hedda
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